![]() ![]() Users should refer to the original published version of the material for the full abstract. No warranty is given about the accuracy of the copy. However, users may print, download, or email articles for individual use. Diana Taylor Diana Taylor is Professor of Performance Studies and Spanish and Director of the Hemispheric Institute on Performance and Politics at New York University. Copyright of DHQ: Digital Humanities Quarterly is the property of Digital Humanities Quarterly and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. the archive and the repertoire invites a remapping of the americas based on traditions of embodied practice. The Archive and the Repertoire: Performing Cultural Memory in the Americas.By treating digital archives as repertoires, this article explores different threats and opportunities presented by their volatile nature and makes policy and technical recommendations on how to ensure their relevance and sustainability. Borrowing the critical vocabulary of performance studies, digital archives could thus be understood as "repertoires" rather than traditional archives. This has advantages and disadvantages digital archives can disappear from sight almost instantly but they can also be easily safeguarded and restored. Diana Taylor is a wonderful writer and anyone. 5.0 out of 5 stars Excellent Reviewed in the United States on December 2, 2007. 19-23) have far-reaching implications for performance studies. Abstract: Digital archives change more quickly than traditional ones: they are adaptable and transient. In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance. The notions of the archive and repertoire developed in the book (esp.
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